Discography

Thomas Hilbish conducting the Princeton Chamber Singers.
Composer's Recordings Inc. (#164)
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  • O, O, O, O, That Shakespeherian Rag (1959) - I. Winter (1959)
  • O, O, O, O, That Shakespeherian Rag (1959) - II. Lullaby (1959)
  • O, O, O, O, That Shakespeherian Rag (1959) - III. Warming (1959)
  • O, O, O, O, That Shakespeherian Rag (1959) - IV. Spring (1959)
  • Stuck On Stella (19..)
  • Ballad (1966)
  • Chansons Innocentes - I. In Just Spring (1957)
  • Chansons Innocentes - II. Hist Whist (1957)
  • Chansons Innocentes - III. Tumbling Hair (1957)
  • Octet (1963)
  • Cocktail Music (1962)
Computer Music Series, CDCM Records
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  • Underworld (1964-65)
  • SATBehind Demo (1992)
  • Look at the back of my head for a while (1974)
  • Four not Two (1987)
  • Electronic Dance No. 1 (1962)
  • L's. G. A. (1968)
The Ineluctable Modality
Edwin London, conductor
New World Records NW 210
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  • Kyrie
  • Gloria
  • Credo
  • Sanctus & Benetdictus
  • Agnus Dei
NEUMA Records
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  • phee
  • phlie
  • phoo
  • phum
The Cleveland Chamber Symphony, Edwin London, cond.
Trumedia CD
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  • Sound and Logic + (1988)
  • Sugar (1988)
  • Ludwig's Bait (1988)
For Amplified Zeta Violin, Dorothy Martirano
and The yahaSALmaMAC MIDI orchestra
Centaur CD, CRC 2045
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  • Sampler: Everything Goes When The Whistle Blow
For winds and percussion
Tone Road Ramblers
Flute: John Fonvile
Clarinet: Eric Mandat
Trumpet: Ray Sasaki
Trombone: Morgan Powell, Jim Staley
Percussion: Michael Udow
Einstein Records
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  • Thrown
Cleveland Chamber Symphony
Edwin London, Music Director
Albany Records
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  • Isabela
The Virtuoso in the Computer Age -- IV
for Amplified Flute, Clarinet and Double Bass and Synthetic Orchestra
Flute: Tim Lane
Clarinet: Eric Mandat
Double Bass: Michael Cameron
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  • UIUS
  • Jest fa' Laffs
Salvatore Martirano Salmar construction
David Rosenboom buchla music easel 200 series electric music box with homemade digital control system
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  • BC - AD II
Emergent Music And Visual Music: Inside Studies, CD 2
Music Synthesizer duet by
Ron Pellegrino, ARP 2600 Synthesizer, Two Synth AKSs and Buchla 200 Series
Sal Martirano, SalMar construction
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  • Live recording in Phoenix '73 Festival of New Music
  • Live recording in Sal's music studio, 1974
  • Live recording in Sal's music studio, 1974
  • Live recording in Sal's personal facility, 1975
Live improvisation by Salvatore Martirano in the Institut de Recherche et Coordination Acoustique/Musique (IRCAM)
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  • The SalMar (1983)

List of Compositions

  • 1949 - SEXTET for winds. (9')

  • 1950 - PRELUDE for orchestra. (12')

  • 1950 - VARIATIONS for flute and piano. (6')

  • 1951 - STRING QUARTET. (19')

  • 1951 - THE MAGIC STONES, chamber opera based on a tale from the Decameron. (55')

  • 1952 - PIECE for orchestra. (14')

  • 1952 - SONATA for violin and piano. (14')

  • 1952-1955 - MASS A CAPPELLA for mixed double chorus. (37')

  • 1954 - CONTRASTO for orchestra. (9')

  • 1957 - CHANSONS INNOCENTES for soprano and piano. (8')

  • 1958 - O,O,O,O, THAT SHAKESPEHERIAN RAG for mixed chorus and instrumental ensemble, text by Shakespeare, commissioned by the League of Composers/ International Society for Contemporary Music. (24')

  • 1962 - COCKTAIL MUSIC for piano. (7')

  • 1963 - OCTET for flute, bass clarinet, contra-alto clarinet, marimba, celesta, violin, cello, contra-bass, commissioned by the Koussevitsky Music Foundation in the Library of Congress. (8')

  • 1963 - THREE ELECTRONIC DANCES for tape recorder. (4')

  • 1964-1965 - UNDERWORLD for 4 actors, 4 percussion, 2 string basses, tenor sax and 2 channel tape, commissioned by the Fromm Foundation. (19')

  • 1964 - SOUND ROTATION SYSTEM, hardware - real-time performance instrument scored in UNDERWORLD.

  • 1965 - BUFFET for tape recorder. (13')

  • 1966 - BALLAD for amplified nite-club singer and instrumental ensemble. (14')

  • 1967 - THE MALMSTADT-ENKE BLUES for real-time performance system using the Heathkit Analog/Digital Designer and custom hardware - variable form. (15-20')

  • 1967-1968 - L's. G. A. for gassed-masked politico, helium bomb, 3 16mm movie projectors, and 2 channel tape recorder, Films: Ronald Nameth. (24')

  • 1968 - THE PROPOSAL for 2 channel tape recorder and slide projector, Slides: Ronald Nameth. (8')

  • 1968 - ACTION ANALYSIS for 12 musicians, Bunny, and Controller. (12')

  • 1968 - MARVIL CONSTRUCTION, real-time performance system.

  • 1969 - SELECTIONS for alto flute, double bass, clarinet, viola and cello, commissioned by the Aeolian Chamber Players (work in progress).

  • 1969-972 - THE SAL-MAR CONSTRUCTION, real-time performance instrument.

  • 1971-1975 - SAL-MAR CONSTRUCTION 4 channel tape recordings I-VII. (3 hours)

  • 1974 - SHOPTALK for tape recorder. (13')

  • 1977 - FAST FORWARD for tape recorder. (14')

  • 1978 - FIFTY ONE for tape recorder. (12')

  • 1978 - IN MEMORIAM LUIGI DALLAPICCOLA for tape recorder. (40')

  • 1979 - SHE SPOKE for tape recorder and storyteller, based on Titus Andronicus by Shakespeare - commissioned by W???, Columbia, MO.

  • 1980 - FANTASY for violin and tape recorder. (7')

  • 1984 - THROWN for winds and percussion. (18')

  • 1985 - SAMPLER: Everything Goes When The Whistle Blows for violin and the yahaSALmaMAC MIDI orchestra. (12')

  • 1987 - THREE NOT TWO for The yahaSALmaMAC using the Sound and Logic program (SAL), Salvatore Martirano, DX7 Keyboard. (20')

  • 1988 - FOUR NOT TWO for The yahaSALmaMAC using the Sound and Logic program (SAL), Dorothy Martirano, Zeta Violin, Salvatore Martirano, DX7 Keyboard. (20')

  • 1988 - PHLEU for amplified flute and synthetic orchestra. (12')

  • 1989 - LON/dons for chamber orchestra. (18')

  • 1990 - undisNONcon for yahaSalmaMac and Poet. (25')

  • 1991 - UIUS & Jest Fa'laffs for flute, clarinet, double bass and synthetic orchestra. (14')

  • 1992 - Improvs for Violin and Tape, There will never be another you, Cherokee, I remember April, Blues.

  • 1992 - Isabela for orchestra. (13.5")

  • 1992 - SATBehind, Demo for ICMC '92. (5.5")

  • 1993 - MEAND'ER for MIDI keyboard and the Symbolic Sound System. (13')

List of Videos

  • 1982 - UNDERWORLD (26')

  • 1983 - Omagio a Sally Rand (40')

  • 1984 - Look at the back of my head for awhile (12')

  • 1985 - L’s. G. A. (update) (25')

  • 1986 - DANCE/PLAYER I (8')

  • 1986 - DANCE/PLAYER II (14')