Thomas Hilbish conducting the Princeton Chamber Singers. Composer's Recordings Inc. (#164)
O, O, O, O, That Shakespeherian Rag (1959) - I. Winter (1959)
O, O, O, O, That Shakespeherian Rag (1959) - II. Lullaby (1959)
O, O, O, O, That Shakespeherian Rag (1959) - III. Warming (1959)
O, O, O, O, That Shakespeherian Rag (1959) - IV. Spring (1959)
Stuck On Stella (19..)
Ballad (1966)
Chansons Innocentes - I. In Just Spring (1957)
Chansons Innocentes - II. Hist Whist (1957)
Chansons Innocentes - III. Tumbling Hair (1957)
Octet (1963)
Cocktail Music (1962)
Computer Music Series, CDCM Records
Underworld (1964-65)
SATBehind Demo (1992)
Look at the back of my head for a while (1974)
Four not Two (1987)
Electronic Dance No. 1 (1962)
L's. G. A. (1968)
The Ineluctable Modality Edwin London, conductor New World Records NW 210
Kyrie
Gloria
Credo
Sanctus & Benetdictus
Agnus Dei
NEUMA Records
phee
phlie
phoo
phum
The Cleveland Chamber Symphony, Edwin London, cond. Trumedia CD
Sound and Logic + (1988)
Sugar (1988)
Ludwig's Bait (1988)
For Amplified Zeta Violin, Dorothy Martirano and The yahaSALmaMAC MIDI orchestra Centaur CD, CRC 2045
Sampler: Everything Goes When The Whistle Blow
For winds and percussion Tone Road Ramblers Flute: John Fonvile Clarinet: Eric Mandat Trumpet: Ray Sasaki Trombone: Morgan Powell, Jim Staley Percussion: Michael Udow Einstein Records
Thrown
Cleveland Chamber Symphony Edwin London, Music Director Albany Records
Isabela
The Virtuoso in the Computer Age -- IV for Amplified Flute, Clarinet and Double Bass and Synthetic Orchestra Flute: Tim Lane Clarinet: Eric Mandat Double Bass: Michael Cameron
UIUS
Jest fa' Laffs
Salvatore Martirano Salmar construction David Rosenboom buchla music easel 200 series electric music box with homemade digital control system
BC - AD II
Emergent Music And Visual Music: Inside Studies, CD 2 Music Synthesizer duet by Ron Pellegrino, ARP 2600 Synthesizer, Two Synth AKSs and Buchla 200 Series Sal Martirano, SalMar construction
Live recording in Phoenix '73 Festival of New Music
Live recording in Sal's music studio, 1974
Live recording in Sal's music studio, 1974
Live recording in Sal's personal facility, 1975
Live improvisation by Salvatore Martirano in the Institut de Recherche et Coordination Acoustique/Musique (IRCAM)
The SalMar (1983)
List of Compositions
1949 - SEXTET for winds. (9')
1950 - PRELUDE for orchestra. (12')
1950 - VARIATIONS for flute and piano. (6')
1951 - STRING QUARTET. (19')
1951 - THE MAGIC STONES, chamber opera based on a tale from the Decameron. (55')
1952 - PIECE for orchestra. (14')
1952 - SONATA for violin and piano. (14')
1952-1955 - MASS A CAPPELLA for mixed double chorus. (37')
1954 - CONTRASTO for orchestra. (9')
1957 - CHANSONS INNOCENTES for soprano and piano. (8')
1958 - O,O,O,O, THAT SHAKESPEHERIAN RAG for mixed chorus and instrumental ensemble, text by Shakespeare, commissioned by the League of Composers/ International Society for Contemporary Music. (24')
1962 - COCKTAIL MUSIC for piano. (7')
1963 - OCTET for flute, bass clarinet, contra-alto clarinet, marimba, celesta, violin, cello, contra-bass, commissioned by the Koussevitsky Music Foundation in the Library of Congress. (8')
1963 - THREE ELECTRONIC DANCES for tape recorder. (4')
1964-1965 - UNDERWORLD for 4 actors, 4 percussion, 2 string basses, tenor sax and 2 channel tape, commissioned by the Fromm Foundation. (19')
1966 - BALLAD for amplified nite-club singer and instrumental ensemble. (14')
1967 - THE MALMSTADT-ENKE BLUES for real-time performance system using the Heathkit Analog/Digital Designer and custom hardware - variable form. (15-20')
1967-1968 - L's. G. A. for gassed-masked politico, helium bomb, 3 16mm movie projectors, and 2 channel tape recorder, Films: Ronald Nameth. (24')
1968 - THE PROPOSAL for 2 channel tape recorder and slide projector, Slides: Ronald Nameth. (8')
1968 - ACTION ANALYSIS for 12 musicians, Bunny, and Controller. (12')
1978 - IN MEMORIAM LUIGI DALLAPICCOLA for tape recorder. (40')
1979 - SHE SPOKE for tape recorder and storyteller, based on Titus Andronicus by Shakespeare - commissioned by W???, Columbia, MO.
1980 - FANTASY for violin and tape recorder. (7')
1984 - THROWN for winds and percussion. (18')
1985 - SAMPLER: Everything Goes When The Whistle Blows for violin and the yahaSALmaMAC MIDI orchestra. (12')
1987 - THREE NOT TWO for The yahaSALmaMAC using the Sound and Logic program (SAL), Salvatore Martirano, DX7 Keyboard. (20')
1988 - FOUR NOT TWO for The yahaSALmaMAC using the Sound and Logic program (SAL), Dorothy Martirano, Zeta Violin, Salvatore Martirano, DX7 Keyboard. (20')
1988 - PHLEU for amplified flute and synthetic orchestra. (12')
1989 - LON/dons for chamber orchestra. (18')
1990 - undisNONcon for yahaSalmaMac and Poet. (25')
1991 - UIUS & Jest Fa'laffs for flute, clarinet, double bass and synthetic orchestra. (14')
1992 - Improvs for Violin and Tape, There will never be another you, Cherokee, I remember April, Blues.
1992 - Isabela for orchestra. (13.5")
1992 - SATBehind, Demo for ICMC '92. (5.5")
1993 - MEAND'ER for MIDI keyboard and the Symbolic Sound System. (13')
List of Videos
1982 - UNDERWORLD (26')
1983 - Omagio a Sally Rand (40')
1984 - Look at the back of my head for awhile (12')